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Has Been Found
How do I tell my boss who has trained me and been good to me that I have found a better job and Im leaving?
I work for an enginnering company as a drafter. My degree is in industrial design but I want to get into structural engineering. My current boss took me on about 1year ago and has been good to me but I dont get to do alot of structural projects as we do prodominately mechanical things. I have been offered a job with a structural engineering company as a drafter and they support further education. I feel like Im betraying my current boss if I take the job as he has invested money and time into me to get me to the skill level Im at, and he has only just recently started billing me out. I dont know how to tell him that Im leaving.
Blu is absolutely correct.
Also, you HAVE to do what is in your best interest. That by no means means to forget about those who helped you.
Make sure you tell your boss how much you appreciate what he has taught you, but it's time for you to move on in order to reach your goals.
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| | Has Been $8.49 Has Been |
| | Your Head has Been Found Funny Light T-Shirt by CafePress $24 Look cool without breaking the bank. Our durable, high-quality, pre-shrunk 100% cotton t-shirt is what to wear when you want to go comfortably casual. Preshrunk, durable and guaranteed.5.6 oz. 100% cotton Standard fit Funny Light T-Shirt Tee, TShirt, Shirt Look cool without breaking the bank. Our durable, high-quality, pre-shrunk 100% cotton t-shirt is what to wear when you want to go comfortably casual. Preshrunk, durable and guaranteed.5.6 oz. 100% cotton. Standard fit. |
| | This Has Been The Death Of Us $7.49 This Has Been The Death Of Us |
| | A Fire has Been Arranged $7.93 A Fire has Been Arranged |
| | The Past Has Been Bottled $8.49 The Past Has Been Bottled |
| | Found (Hardcover) $20.69 Found is Jennifer Lauck`s sequel to her New York Times bestseller Blackbird: A Childhood Lost and Found. More than one woman`s search for her biological parents, Found is a story of loss, adjustment, and survival. Lauck`s investigation into her own troubled past leads her to research that shows the profound trauma undergone by infants when they`re separated from their birth mothers-a finding that provides a framework for her writing as well as her life.Though Lauck`s story is centered around her search for her birth mother, it`s also about her quest to overcome her displacement, her desire to please and fit in, and her lack of a sense of self-all issues she attributes to having been adopted, and also to having lost her adoptive parents at the early age of nine. Throughout her thirties and early forties, she tries to overcome her struggles by becoming a mother and by pursuing a spiritual path she hopes will lead to wholeness, but she discovers that the elusive peace she has been seeking can only come through investigating--and coming to terms with--her past.Found is a powerful story of belonging, connectedness, and personal truths, in which Lauck lays bare the experience of a woman searching for her identity. Her assertions about mother and child will be a comfort to some in the adoptive community, and distressing to others; but her primary motive is to offer another perspective, and to give voice to the adoptive children who may be having trouble making sense of their own experience. |
| | Lost & Found $13.58 On Lost & Found, his debut album on Delta Groove Records (an earlier demo-styled cassette release, Long on Blues, was released independently in 1999), John Long has stunningly re-created the sound of a pre-war country blues player, right down to the little Tommy Johnson-like upward vocal swoops he takes at the end of phrases. What sets Long aside from simply creating an elaborate facsimile of the style, however, is that the songs he does are not ancient Delta pieces, but originals written by himself and his brother Claude Long, each one done in the template of an old blues 78 from the 1920s or 1930s. The obvious question, though, is why bother making this kind of music in the 21st century when there is easy access to digital renderings of those original 78s? The answer is simple. You have to love the music enough to want to live inside it and use it for a personal means of expression, and you have to respect it enough to stay inside the framework, right down to the least slide slur on the guitar. All of this Long does, and he doesn't attempt any kind of postmodern update of the country blues, which, ironically, makes what he does all the more postmodern, since by changing little, Long makes the style sound almost radically new. Long doesn't sample the old country blues; he inhabits it, which is why he isn't a revisionist in any shape or form. Yes, he's derivative, but so was Robert Johnson and everyone else who has ever played the blues, because the blues demands it. The blues demands you take what has already been done and said and put your own personal spin on it, but by the same stead, you have to work between the lines, because the blues is an incredibly conservative form. Break the pattern and it isn't the blues anymore. That's why so many of the songs here sound familiar. They're drawn from familiar templates. That's also what makes these songs work, because while sounding familiar, they're also eerily fresh, as well. It's a difficult walk to pull off, to sound like something from the past in the present, knowing full well the future is going to sweep it all up together soon enough. Lost and found, indeed. Highlights include the opening track, "Hokum Town," the acoustic funky "Pressure Cooker ('Bout to Blow)," the moving "Healin' Touch," and the piano version of "Leavin' St. Louis" that closes out the set. ~ Steve Leggett, Rovi Performers: Fred Kaplan - Piano; John Long - Harmonica, Guitar, Vocals |
| | Found $13.58 Possessing and maintaining a jazz demeanor without straying into vocal theatrics, jazz and contemporary standards singer Jennifer Ryan has created a quiet and alluring collection of everything from Hoagy Carmichael covers to a radical and creative rearrangement on the Rolling Stones' "You Can't Always Get What You Want." One asset is how the covers aren't as gimmicky as one may assume, possibly due to the care taken with each attempt. Accompanied by a small circle of talented musicians, the album rarely takes a wrong turn with Ryan's sultry vocals the forefront of each track, including "Springtime Somewhere." Most of the songs stick to the traditional jazz arrangements and formulas, but the swerving and constantly changing "Nature Boy/Afro Blue" is the album's centerpiece and deservedly so. A slight annoyance is during a few moments in songs where the backing musicians can be barely heard doing some scat jazz, but it's not enough to detract from the several pluses here. The title track is a good example of Ryan's solid delivery, toeing the line like many before her. ~ Jason MacNeil, Rovi |
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| | Astrology As It Is, Not As It Has Been Represented $24.37 No Synopsis Available |
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A THIRD Montauk Monster Has Been Found!
What was the most irrefutable haunting that has been found by the TAPS ghosthunters?
I have watched this show a few times, and it is quite entertaining, but I have never really seen them find any evidence that would indicate that a place was inhabited by spirits. But I know I have not seen all their shows.
So what was the biggest haunting that they have found, and what irrefutable evidence did they find that indicated that the place was haunted by ghosts?
I have seen more than a few episodes and I have seen the more promising "evidence". I have yet to see anything that is at all compelling. The only way this so-called evidence could be compelling is if you really, really want it to be true.
They say things like, "Look right here. See that?" Um, no I didn't and if there was anything there it wasn't much. If there's anything at all it's hardly enough to make one jump to the conclusion that a place is haunted. That's why ghost hunters like TAPS rely so much on anomalies. They aren't trying to say, "Ghosts exist" because there is no evidence to support this assertion. What they have to settle on saying is, "Wellllll, ghosts *could* exist." and then hope such suggestive language will push people in the right direction.
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